Marosa di Giorgio ante lo sublime y lo siniestro

Authors

  • Hebert Benítez Pezzolano

DOI:

https://doi.org/10.34096/zama.a6.n6.1526

Keywords:

poetry, Marosa di Giorgio, sublime, uncanny

Abstract

For half a century, Marosa di Giorgio led to an irreducible conception of spiritual genesis of his poetry, in line with a key area of the romantic ideologies. Her identification with the Sublime experience –a faculty of the spirit that Kant far beyond the senses– imposes the threat of all symbolization, which explains the “unutterable” character roles proposed by Los papeles salvajes. But if the high density is given by an abysmal and ominous background, the category of the Sublime is overwhelmed by the Uncanny. 

Downloads

Download data is not yet available.

Downloads

Issue

Section

Artículos

How to Cite

Marosa di Giorgio ante lo sublime y lo siniestro. (2015). Zama, 6(6), 47-58. https://doi.org/10.34096/zama.a6.n6.1526