Intermediality: dissident creative interruption of the hegemonic sexual politics in the artistic practices of Effy Beth and Diego Casado Rubio

Abstract

This article reflects on the presence of intermediality relationships in theater and performance, based on cases from the recent Argentine art scene. These coincide in proposing intermediality as a dissident creative interruption of hegemonic sexual policies. This is: two 2012s artistic projects of Effy Beth (Pequeña Elizabeth Mati (Little Mermaid doblado al castellano) and Effy Ofrece Sexo Oral) and a staging written and directed by Diego Casado Rubio, Millones de segundos, released in 2017.